For decades after the end of World War II the question of French collaboration with the Nazis was obscured. One of the reasons for this was the desire of de Gaulle and others to downplay the central role of communists in resisting the occupation. In fact, many French civilians were involved to greater or lesser degrees in informing upon their fellows or otherwise furthering the interests of the German invaders. Under the Vichy regime, right-wing politics in France developed an ideological program founded upon an appeal to nationalism, the soil, and the rejection of perceived decadence.

The human cost of World War I cannot be understood only in terms of demographics. To better understand the consequences of the war upon both soldiers and civilians it is necessary to consider mourning in its private, as well as its public dimensions. Indeed, for many French people who lived through the war, public spectacles of bereavement, such as the Unknown Soldier, were also conceived of as intensely private affairs. Both types of mourning are associated with a wide variety of rituals and procedures.

The traditional, diplomatic history of World War I is helpful in understanding how a series of hitherto improbable alliances come to be formed in the early years of the twentieth century. In the case of France and Russia, this involves a significant ideological compromise. Along with the history of imperial machinations, however, World War I should be understood in the context of the popular imagination and the growth of nationalist sentiment in Europe.

France’s colonial properties were thought of in the latter half of the nineteenth century as consolation for the bitter loss of Alsace and Lorraine to Germany. As civilian administrators came to replace military personnel in the colonies, and as more and more French settlers arrived, empire and colonialism came to play an important function in France’s cultural self-presentation. World War I heralded the eventual decline of the French empire, a decline realized at the hands of the colonized subjects themselves.

Because drinking is such an integral part of French culture, alcohol abuse has been historically ignored. Although there have been celebrated attempts to address this problem, such as Zola L’Assomoir, it is only in the past five or ten years that the government has seriously tried to tackle the problem of alcoholism. One of the major ways in which alcohol is embedded in the cultural identity of the country is the close association of certain wines and liquors with their regions of production.