The Paris Commune of 1871 remained a potent force in Europe for several generations afterwards. The reprisals following the fall of the Commune anticipated the great massacres of the twentieth century. While the brief reign of thecommunards witnessed serious adversity in the form of food shortages and disease, it also presided over many progressive social measures, such as the relative emancipation of women. The brutality of the army's actions against thecommunards would cast a pallor over leftist politics in Europe for decades to come.

Professor Kleiner discusses two Roman cities in North Africa: Timgad and Leptis Magna. Timgad was created as an entirely new colony for Roman army veterans by Trajan in A.D. 100, and designed all at once as an ideal castrum plan. Leptis Magna, conversely, grew more gradually from its Carthaginian roots, experiencing significant Roman development under Augustus and Hadrian. Septimius Severus, the first Roman emperor from North Africa, was born at Leptis and his hometown was renovated in connection with his historic visit to the city.

Professor Kleiner discusses the increasing size of Roman architecture in the second and third centuries A.D. as an example of a "bigger is better" philosophy. She begins with an overview of tomb architecture, a genre that, in Rome as in Ostia, embraced the aesthetic of exposed brick as a facing for the exteriors of buildings. Interiors of second-century tombs, Professor Kleiner reveals, encompass two primary groups -- those that are decorated with painted stucco and those embellished primarily with architectural elements.

Professor Kleiner analyzes the major public architectural commissions of the emperor Trajan in Rome. Distinguished by their remarkably ambitious scale, these buildings mimic Trajan's expansion of the Roman Empire to its furthest reaches. Professor Kleiner begins with Trajan's restoration of the Forum of Julius Caesar and proceeds to the Baths of Trajan. Situated on the Oppian and Esquiline Hills, these Trajanic baths follow the basic model of the earlier imperial Baths of Titus but increase the size of the complex several times.

Professor Kleiner presents the three options for the course's term paper, which fall into two main categories: a research paper or a project to design a Roman city. For the research paper, she suggests cities and monuments not covered or mentioned briefly in the lectures, which embody some of the themes and issues raised in the course. Such topics include, in the Eastern Empire, the Roman cities of Corinth and Gerasa (Jerash), the Library of Celsus at Ephesus, and the Temple of Bel and the tower tombs at Palmyra.

Professor Kleiner investigates the major architectural commissions of the emperor Domitian, the last Flavian emperor. She begins with the Arch of Titus, erected after Titus' death by his brother Domitian on land previously occupied by Nero's Domus Transitoria. The Arch celebrated Titus' greatest accomplishment--the Flavian victory in the Jewish Wars--and may have served as Titus' tomb. Professor Kleiner also discusses the Stadium of Domitian, the shape of which is preserved in Rome's Piazza Navona.

Professor Kleiner features the tumultuous year of 68-69 when Rome had four competing emperors. Vespasian emerged the victor, founded the Flavian dynasty, and was succeeded by his sons, Titus and Domitian. The Flavians were especially adept at using architecture to shape public policy. Professor Kleiner demonstrates that Vespasian linked himself with the divine Claudius by completing the Claudianum and distanced himself from Nero by razing the Domus Aurea to the ground and filling in the palace's artificial lake.

Professor Kleiner explores sepulchral architecture in Rome commissioned by the emperor, aristocrats, successful professionals, and former slaves during the age of Augustus. Unlike most civic and residential buildings, tombs serve no practical purpose other than to commemorate the deceased and consequently assume a wide variety of personalized and remarkable forms. The lecture begins with the round Mausoleum of Augustus, based on Etruscan precedents and intended to house the remains of Augustus and the new Julio-Claudian dynasty.

Professor Kleiner discusses the transformation of Rome by its first emperor, Augustus, who claimed to have found Rome a city of brick and left it a city of marble. The conversion was made possible by the exploitation of new marble quarries at Luna (modern Carrara) on the northwest coast of Italy. The lecture surveys the end of the Roman Republic and the inauguration of the Principate and analyzes the Forum of Julius Caesar and the Forum of Augustus.

Professor Kleiner discusses special subjects in Roman wall painting that do not fall within the four architectural styles but were nonetheless inserted into their wall schemes: mythological painting, landscape, genre, still life, history painting, and painted portraiture. The lecture begins with an in-depth examination of the unique Dionysiac Mysteries painting in Pompeii in which young brides prepare for and enter into a mystical marriage with the god Dionysus and simultaneous initiation into his cult.