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AMST 246 - Lecture 20 - Fitzgerald's Tender Is the Night
Lecture 20 - Fitzgerald's Tender Is the Night
Overview
Professor Wai Chee Dimock positions her reading of Tender Is the Night alongside F. Scott Fitzgerald’s career as a Hollywood screenwriter. She shows how the novel borrows narrative techniques from film, particularly flashback, “switchability” on a macro and micro scale, and montage. Invoking the theories of Sergei Eisenstein, she reads scenes of wartime death and individual murder to show how love and war are cross-mapped, superimposed onto one another as part of the narrative fabric of Tender Is the Night.
Resources
Assignment
Fitzgerald, Tender is the Night
Lecture Chapters
- “Ode to a Nightingale” and the Glamor of Tender Is the Night [0]
- The Influence of Hollywood on Fitzgerald’s Work [227]
- The Publication History of Tender Is the Night [509]
- Switchability on the Micro Scale [722]
- “Hard” and “Pitiful” [1080]
- Montage as a Narrative Technique [1640]
- The Superimposition of Love and War on a Macro Scale [1971]
- The Superimposition of Love and War on the Micro Scale [2360]
- A Cinematic Rendition of Murder [2619]
Lecture Chapters
- “Ode to a Nightingale” and the Glamor of Tender Is the Night [0]
- The Influence of Hollywood on Fitzgerald’s Work [227]
- The Publication History of Tender Is the Night [509]
- Switchability on the Micro Scale [722]
- “Hard” and “Pitiful” [1080]
- Montage as a Narrative Technique [1640]
- The Superimposition of Love and War on a Macro Scale [1971]
- The Superimposition of Love and War on the Micro Scale [2360]
- A Cinematic Rendition of Murder [2619]